Lecturers

Born in 1954. Third-generation sculptor. Studied art education, art therapy and cultur management. Co-owner and Co-Director (President) of the Scuola di Scultura di Peccia.

Studied art education, art therapy and cultur management. Co-owner and Co-Director (Management) of the Scuola di Scultura di Peccia.

Born in 1957, Swiss-French dual citizen. Geologist and conservation scientist. Since 2007 research activities and lecturing at the University of Applied Sciences Lugano (SUPSI). Retires in 2021 and will, for the first time, hold a geology seminar at the Scuola di Scultura in Peccia.

Studied representational sculpture with Prof. B. Altenstein at the "HfK"/Bremen. 2007-2008 Master pupil of Prof. B. Altenstein. Started tutoring at the Scuola di Scultura in 2009.

As a lecturer at the School of Design in St. Gallen, she taught preparatory courses for young people and adults for secondary schools of design for many years - preparatory course HF, preliminary course, various art studies, etc.

The expressive realist sculptress Baerbel Dieckmann was born in Bielefeld, Germany, in 1961. Since 2018 teacher at the Sculpture School.

Freelance sculptor with a studio in Dangio-Torre / TI, cultural management and intermedial art therapy. Engaged as a course instructor at the Scuola di Scultura from 2021.

Freelance painter with own atelier. Since 2001 teacher at the Sculpture School.

Studied art history, folklore and medieval history at the University of Basel. Doctorate in 1990. Has been a lecturer at the Scuola di Scultura since 2003.

Freelance art historian. Has been lecturing at the Scuola di Scultura since 1994.

Freelance Sculptor and Graphic Designer. Studio in Flawil. Starting in 2025, Lecturer at the Scuola di Scultura in Peccia.

Sculptor and painter. Argentine-Swiss artist.
She was born in the north of Argentina, where she studied for six years at the University of Tucumán, Facultad de Bellas Artes. After completing her studies in fine arts in Argentina, she attended the Carrara Academy and perfected her skills in marble processing. Subsequently, she worked in a recognized art foundry in Milan, which enabled her to develop her knowledge of materials in a practical way.